La Otra Cara De Un Jardín is the pseudonym used by the multidisciplinary artist Francisco Felipe from Madrid. Under this mysterious name, he develops a strong collage of processed sounds that reminds us of the sound experiments of foreign projects such as the French Etant Donnes.
In 1981 he published his first self-produced industrial music cassette with the same title for Tic-Tac records. In 1982, he recorded the single 'Búsqueda de Consuelo en los Amaneceres Fríos' also for Tic-Tac records. Arturo Lanz from Esplendor Geométrico collaborated in it. One year later, he collaborates in the compilation 'Anthems 2' of the Italian label Trax, where he includes the track "The Last Minutes of Everyday". It was re-released in 2010.
Two years later, already in 1985, he is included in the compilation cassette 'Codex' by IEP. Shortly afterwards, he published 'Breve Jornada por un Jardín Cerrado' (EGK 004), where he collected extracts from his first cassette.
In 1986, the split 'Chronicle Of Consumptive Irritation / Brikollage' was released for the Sound of Pig label, together with the group Big Red Stain (Karin Flectcher, U.S.A.).
Also from that year, a production of the musician Juan Teruel's label, Discos Proceso Uvegraf, entitled 'Conspiración', appears. It is a compilation of industrial, electronic and experimental music. In 'Conspiración', a cast of great names from Madrid's experimental music scene appears: Esplendor Geométrico, Depósito Dental, Interacción, Luis Mesa, Juan Teruel himself signing his name and as Uvegraf, Ejumboeke and Segunda Época del Hombre. He is also included in the compilation 'The World, The Flesh and The Devil' by the French label Déviation Culturelles. [SOURCE: GRUPOS NACIONALES NUEVA OLA 80]
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