Inhibidos Quizás? formed in mid-1983 in Valencia, under the musical influences of artists such as U2, R.E.M., Orange Juice, Magazine, The Cult or Bob Dylan. Inhibidos Quizás? practised a soft pop-rock, and their first formation was composed by Federico Segarra (guitars), Fran García (rhythm guitar and harmonica), Vicente González (vocals), Javi Soler (bass) and Gonzalo Mantarás (drums). Federico Segarra and Fran García were the only musicians in the band who had previously played in other bands, starting together in Rimbaud, and later Federico adding his guitar to Peligro Inminente.
Soon after their formation, they participated in october of 1983 in the 1st Pop-Rock Contest Valencia 83, first event of this kind offered in the city. The quintet turned out to be the winners of the contest, sharing first place with A.D.N., and taking a special mention as best lyricists among the fourteen bands that reached the final stage. After two years, Inhibidos Quizás? entered the studio to record their first album at the end of 1985, 'El Precio Del Dolor', a MiniAlbum that includes six tracks recorded by Alfonso Olcina.
Soon after their formation, they participated in october of 1983 in the 1st Pop-Rock Contest Valencia 83, first event of this kind offered in the city. The quintet turned out to be the winners of the contest, sharing first place with A.D.N., and taking a special mention as best lyricists among the fourteen bands that reached the final stage. After two years, Inhibidos Quizás? entered the studio to record their first album at the end of 1985, 'El Precio Del Dolor', a MiniAlbum that includes six tracks recorded by Alfonso Olcina.
During the following years, Federico Segarra and Fran García played in parallel with Inhibidos Quizás?
in other bands that during those years sprang up in Valencia. Whereas Federico Segarra was been already sporadically involved
since the end of 1983 with Jah Macetas, from 1986 onwards he played in other bands such as Las Terribles Y La Banda Fantasma, El Septimo Día or La Gran Esperanza Blanca, while Fran García was the founder of this last mentioned combo, whose excellent folk-rock has lasted until very recently.
At the beginning of 1990 the following Inhibidos Quizás? record came out, an EP with four songs that NOSE edited in collaboration with Discos Medicinales. For this album there were two changes in the line-up: the drummer Gonzalo Mantarás left his position to José Montoro, who had previously worked in Fernando Poo, and Javi Soler, who left to be replaced by Vicente Vilana.
In September of 1992 their next and last work came out, a three songs EP. NOSE is once again in charge of issuing it, and this time it was produced and recorded in the studio of the Revólver leader, Carlos Goñi. This was also the last NOSE (New Wave of Eastern Sounds) reference. The band broke up definitively at the beginning of 1993. [SOURCE: GRUPOS NACIONALES NUEVA OLA 80]
At the beginning of 1990 the following Inhibidos Quizás? record came out, an EP with four songs that NOSE edited in collaboration with Discos Medicinales. For this album there were two changes in the line-up: the drummer Gonzalo Mantarás left his position to José Montoro, who had previously worked in Fernando Poo, and Javi Soler, who left to be replaced by Vicente Vilana.
In September of 1992 their next and last work came out, a three songs EP. NOSE is once again in charge of issuing it, and this time it was produced and recorded in the studio of the Revólver leader, Carlos Goñi. This was also the last NOSE (New Wave of Eastern Sounds) reference. The band broke up definitively at the beginning of 1993. [SOURCE: GRUPOS NACIONALES NUEVA OLA 80]
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