The Questions

The Questions formed in the summer of 1977 at St. Augustine's High School in Edinburgh, and performed their first gig in December of that year at St. Margaret's Church Hall in Davidson's Mains, a suburb of Edinburgh. The following year, they sent a demo tape of rehearsals to Bruce Findlay of Bruce's Record Shop, which led to signing a recording contract with Zoom Records in Edinburgh in 1978. 

 

The band's first single was "Some Other Guy" backed with "Rock & Roll Ain't Dead" (August 1978). They were crowned Young Band of the Year by Southern Television on Saturday Banana in December 1978. "I Can't Get Over You" b/w "Answers" followed in January 1979. The band subsequently left school in June 1980 and came to the attention of Paul Weller, with "Get Away From it All", a track that was never officially released. 

 

The band supported The Jam at the Edinburgh Playhouse Theatre on the first of many occasions in October 1980, and signed to Weller's fledgling Respond Records in 1981. The Questions contributed three songs to Respond's 'Love the Reason' album -"Work and Play", "Building on a Strong Foundation" and "Give It Up Girl". They also contributed to the track "Mama Never Told Me" with Tracie Young as Tracie & The Questions. Many tours, TV appearances and singles followed, including "Work and Play", "Tear Soup" and "Price You Pay".

 

In 1983, band members Paul Barry and John Robinson penned the Top 10 hit "The House That Jack Built" for fellow Respond Records label mate Tracie Young. They would go on to write three additional songs -"I Can't Hold on Till Summer", "Moving Together" and "What Did I Hear You Say"- for Young's debut LP, 'Far From the Hurting Kind'. In 1984, 'Belief', the band's only full-length album, was finally released. "Tuesday Sunshine" and "A Month of Sundays" were released as singles. The album did not sell well, and the band played its final concert on 30 November 1984, at the 100 Club in Oxford Street, London. After a twelve-year wait, 'Belief' was issued on CD by the Japanese label Trattoria Records. The re-issue included the album's original eleven songs, plus eight previously unreleased tracks. [SOURCE: WIKIPEDIA] 

Ronnie Mayor

In 1977 singer songwriter Ronnie Mayor teams up with lead guitarist John Hole to form the punk band Tours. With the addition of Steve Jeff (bass) and Mark Spiers on drums they set about creating their own sound, establishing their own venue at the Brewers Arms Poole and recording their early demos in Arnys Shack. In 1979, after 1 1/2 years in the band John Hole leaves and the replacement guitarist Richard Smith Mazda joins. 6 months later it was all over, however the band managed to record at Misty Studio, tour the UK and release one of John Peel's all time favourite records 'Language School' b/w 'Foreign Girls', recorded at Spaceward Studios in Cambridgeshire which Peel plays 50 nights in a row. They signed an eye watering £225,000 six-album deal for Virgin Records and songwriters Ronnie Mayor and Richard Mazda are proclaimed “the punk Lennon-McCartney”. 

In 1980, after the Tours split, Ronnie and John re-grouped to form Power Pop band Da Biz with Ian Sandy (bass) and Nick Buckle (drums). They recorded at Rockfield Studios and released a single on Ronnie's own label Small Operations produced by Pat Moran, 'On the Beach' b/w 'This Is No Audition'. Tiring of the 'buzz saw ' guitar sound Ronnie and Ian threw the doors of the rehearsal room open and expanded the band into Biz Internationale with Ian Sandy (bass), Nick Buckle (drums), Paul Beavis (percussion), Bob Harder (keyboards). They became one of the best local live bands, recording at Misty Studios and signing to Warner Bros lead to the release of the single 'Stay True b/w Just A Thought Of A Love Affair'. 

All four tracks from Tours and Da Biz re-surface on 'The Apprentices Dance' compilation album of Dorset based bands including in addition Contacts, Surfin Dave, Paul Chambers (former singer of 7even), Hollows and Cava Cava. Financed and compiled by Ronnie under the name Small Operations the album was distributed in America in 1981 by New Jersey based Sounds Interesting Records. In 1981 Ronnie Mayor releases solo pop anthem 'Can't Wait Till The Summer Comes' b/w 'Holiday Theme' on Do It Records. Recorded at Rockfield Studios and produced by Pat Moran and John David, again receiving great air play. In 1983, having been sacked from Biz Internationale, Ronnie returns to the 24 track Misty Studio with various Biz band members and producer Mark Eden to record further unreleased 24 track masters including "Stranded" (co-written with Blue Rondo's Chris Sullivan) featuring stunning guitar from legendary local guitar hero Paul Stacey and a great brass arrangement from the Purbeck Horns before exiling himself to Australia to clean windows to supplement a career as a club DJ. 

In 2004, after 20 years, Ronnie returns to UK to play a comeback gig backed by Peter Christie and Conrad Barr at the Blue Boar pub in Poole. In 2018 Ronnie Mayor and John Hole (in response from an approach from Mark, Steve and Richard) reform Tours for a one-off gig at the King Charles pub in Poole supported by Surfin' Dave and Pete Christie. [SOURCE: MISTY STUDIO ONLINE] 

The Symptoms

The Symptoms (aka The Original Symptoms) were from Springfield, Missouri and evolved into The Morells, The Skeletons and aside from their own career, have recorded and played with the likes of Dave Alvin, Syd Straw, Eric Ambel, Bo Diddley and Jonathan Richman. Members Ron Gremp (drums), Maralie Whitney (keyboards, vocals), Donnie Thompson (guitar, vocals), Jim Wunderle (lead vocals) and Lou Whitney (bass, vocals). 

 

Wunderle was known not only known as a dynamic singer and the “consummate front man” for a long series of bands, as his longtime friend Dale McCoy dubbed him, but also for the thick network of loyal friendships he sustained throughout his life. He began his career at Parkview High School (class of 1971) with Bubble, a band he started in 1969 with McCoy, Jimmy Frink, David Evans and David March. Around 1980, he formed The Dog People, perhaps Wunderle’s signature band, with Terry Wilson, Michael “Supe” Granda and Tom Whitlock. The band stopped playing regularly in 1983 when Wilson and Whitlock departed to pursue music careers in Los Angeles but had been reuniting faithfully at least once a year. Wunderle was instrumental in forming the annual Imagine Concert and serving as MC for the event commemorating John Lennon and raising money for Springfield nonprofits. In addition to performing, Wunderle did production work for studio owner Lou Whitney and for many years at Associated Video Producers. He also wrote film reviews for the Springfield Business Journal. 

 

Lou Whitney was also producer and owner of The Studio, Springfield. Died in October 07, 2014, kidney cancer, he was 72. After his death in 2014 Whitney's longtime assistant Eric Schuchmann purchased The Studio, Springfield and changed its location to the Southwest side of Springfield, Missouri. 

 

Maralie Whitney was born October 22, 1930 and died August 30, 2013. She started piano lessons at the age of 6 and classical trained for 12 years. After marrying she formed the band, Maralie and the Marathons. After moving to Ohio, she played for a dinner club and raised her 3 daughters. In the 1960's, She moved to Springfield and played at the Kentwood Arms and various sing along bars. In 1972, She was selling real estate and met Lou Whitney who she later married and they formed various bands playing current and oldies along with original works! They started as The Symptoms and later became The Morells which was formed in 1978. 

 

Lawrence Lange

Admittedly the waves aren't too good in the Midwest, but that didn't prevent Lawrence Lange from preparing an anthem, just in case this ever changes. The 7" single "Surfin' Kansas City" (1985, Titan!), their only record, includes many surf homages for a clever pastiche that avoids novelty status by virtue of a preformance that doesn't take itself too seriously. The group inlcuded Lawrence Lange (naturally, guitars, vocal, background vocals), Hy Mayer (drums), Dean Vallis (bass), Dianne O'Neill (piano) and Mark Smith (background vocals). This was recorded at Playwright Presentations Inc, NYC. 

Rousers

Starting out like a Yardbirds "Train Kept A Rollin", New York's The Rousers has a great shout along chorus and wailing hamornica. Gotta love the trippy space noises as well. Featuring Jerry O'Connell (drums), Tom Milmore (lead guitar), Jeff Buckland (vocals), Bill Dickon (rhythm guitar), and John Hannah (bass). Perhaps it's most interesting point is that their only single "Party Boy" (1981), was produced by Wayne Kramer of the MC5.

 

Service

Not too much there on Royal Oak, Michigan The Service, so for now all we can really say is that the group featured Lou Zasuwa (vocals), Gary Zasuwa (guitar, vocals), Pat Conaton (bass, vocals), and Kyle Kleckner (drums). "Time Release" (Tremor, 1980) was written by the band and was their only release. 

The Key

What it is with Los Angeles and powerpop trios? They're all great! The Question, Chardon Square and, of course, The Key, ruled the LA mod scene alongside ska faves The Untouchables, for much of the mid 80's, packing them in at locations like Fender's Ballroom in Long Beach. "Evolution" is from the band's debut EP, 'Trashin' Power Pop' (Smash-A!, 1986) -has an EP title ever summed up a band's sound so succintly? The La Verne (an LA suburb), CA group featured Shane Ries (guitar / lead vocals), Henry Chavez (bass / vocals), and David White (drums, also of The Question and later The Untouchables, he was replaced in The Key by Mike Young). They later released an album on London mod label Unicorn Records and also appeared on their 'Unicorn Two ... Modern Times' compilation. Perhaps more importantly the band appeared on Anthony "Squire" Meynell's Hi Lo Records compilation 'American Heart And Soul' and were included on the label CD retrospective 'It's A Mod Mod World'. Shane now runs a hip hop label, Base 9.

 

The Shades

Consisting of a pair of brothers, Bill (keyboards / sax) and Scott Evans (bass), plus Bob (lead vocals) and Jack DeStefano (guitar) as well as George Messina (drums) and Joe Hosey (guitar), The Shades originally sprung from the New Jersey band Nobody Special, and though they drew label attention, "Hello Mr. Robinson" (Go Go Records, 1979) would be their only release. Scott Evans also performed with The Rettmans and released a holiday single, "Credit Card Christmas". 

 

The Colors

Based around just two clubs, Max’s Kansas City and CBGB’s, The Ramones, Blondie, Talking Heads, Television and Patti Smith laid down the framework for the enduring genre of music known as punk. By 1978 those bands were all recording and touring and a new wave of bands were emerging from those same streets and playing in those same clubs. 

One of those bands was The Colors. Formed in 1978 when native New Yorkers Tommy Cookman (vocals) and Paul Sass (guitar) began playing together, they were joined in early 1979 by Australian bassist Robert Vickers.Their first shows were at a small but now legendary Soho club called Tier 3. Soon after they asked neighbor Ed East to play drums and built a rehearsal room in his storefront on Rivington Street a few blocks from CBGBs. It was at thistime that Paul appeared in the Robert Stigwood flop turned cult classic, "Times Square".

 
Their rise on this small, closely watched scene was quick. They were renowned for their brief  but intensely exciting live sets and weredeemed "Local Band Most Likely Destined for Commercial Success" by The Soho Weekly News in 1979. They were young, attractive and played energetic pop/punk with very short melodic songs that appealed to an equally young audience. After a playing only a few shows they signed a management deal with CBGB’s owner Hilly Kristal and became the house band there, opening for people like John Cale and Levi and The Rockats and headlining weekend shows. 

Tracks were recorded for ‘Live at CBGBs Vol. II’ but the album was never released. Instead they signed with local indie label, Infinite Records. Clem Burke of Blondie, an early supporter, agreed to produce. At this point the relationship with Hilly Kristal was dissolved and Ed East left the band. Clem Burke stepped in to play drums with them, live and on the record, and took over management. A second guitarist, Charly Pip, formerly of The David Johansen Band was also added. 

The EP, ‘Rave It Up’ was recorded at Electric Lady studios with Jay Burnett (Planet Rock) engineering, and released in 1980. Many great shows followed, opening for The Undertones, Eddie and the Hot Rods, The Bay City Rollers, The Plasmatics, etc. The Colors built a loyal and enthusiastic fan base in New York and ventured out to tour the East Coast. Despite this being pre-MTV, two videos were made for the EP. Produced by Ed Steinberg of Rock America, Diane Harvey directed both. Three graffiti artists were hired to do a back drop for the party scenes in the videos. One of them, "Samo" under his real name, Jean-Michel Basiquat, later became an internationally renowned artist. 

A new drummer, known only as The Elf, was recruited and The Colors began doing TV shows such as The Uncle Floyd Show and New York Dancestand as well as interviews on the fledgling college radio circuit that in the 90s would play such an important part in independent music. They played Chicago, regularly toured the East Coast and ventured deep into New Jersey. They also began working on an album for Infinite, recorded at Intergalactic Studios in New York with the same production team. A song was even written for them by a member of The Bay City Rollers and recorded during these sessions although it did not make the album. 

Unfortunately Infinite folded during the recording and the album, ‘The Colors’ came out in early 1983 on Dirt Records too late to save the band from breaking up. Paul Sass had left and Robert Vickers soon left to join Australian band The Go-Betweens in London. The Colors had a brief existence, less that four years in total, but their star shone brightly during that time;villuminating the murky grim of the old Bowery and the dimly lit side streets of a low rent, crime ridden Manhattan that disappeared so completely in the boom of the late 80s. This album is a snapshot of that time, of boundless youthful optimism in a bankrupt city on the edge of America. [SOURCE: MYSPACE]