Mark Andrews hailed from Portsmouth and began his musical career as a drummer, switched to
acoustic guitar, and while making the rounds of folk clubs began writing his own material. In time he
added electricity and formed a rock band with a keyboard man and electric violin “for Frank Zappa
excursions.” That aggregate evolved into a cabaret band called Edward Bear with a lad named Joe Jackson
on piano. Edward Bear became Arms and Legs (with Joe Jackson) and had a couple of airplay hits including
“Any More Wine.”
When Jackson departed to launch his solo career, Andrews decided to give it another shot as Mark Andrews And The Gents. The band consisted of Larry Toltree on drums, Martin Sawtell on bass, Jap Kemp on
organ and bass and Barry Lines on lead guitar.
Manager Jazz Summers heard an early demo tape which he immediately took to Mike Nobel, who
headed up A&M for A&M U.K. The resulting album, 'Big Boy', was produced by Simon Boswell.
Following the fragmentation of their previous band in 1977, John Clay, Keith Newby and Rob Hampson brought in the youthful and talented Ash Aisthorpe to play bass in a new band to be called The Classics.
Based in Lincolnshire / South Humberside -specifically Scunthorpe and Grimsby- the first few months into 1978 were pretty tempestuous -it became apparent after a fair number of gigs that Keith and Rob were not entirely committed to things so Ash and John split and found a new drummer in Mick Freer from Grimsby, whilst retaining the name of The Classics. At the same time fellow Scunthonian Steve Robinson joined on Guitar and Vocals for a brief period but his time was short lived due to a preoccupation with all things American or The Rolling Stones, hardly credible leanings for a budding Punk / New Wave band.
It wasn't long before the band became a 3 piece for a short period after Steve's departure, until they came across Shaun Ashworth from Doncaster who joined on keyboards (Shaun later went on to tour the world with Edwin Starr).
This period between 1978 and 1980 saw the band at their most creative when most of the original material was written and they gigged regularly in the Yorkshire / Lincolnshire / Humberside and Nottinghamshire region where they were good crowd pullers. Early in 1980 Shaun, a talented but volatile personality left the band and The Classics became a 3 piece yet again.
Demoing 3 songs at Fairview Studios in Hull -"Check Her Alibi", "New Generation" and "Zero Ambition"-, the tapes led to a single deal with Future Earth Records from Doncaster. The band went back into Fairview and recorded the single "Zero Ambition" and "In The Night" (with Terry Wincott from Amazing Blondel of all people guesting on keyboards) for subsequent release on 18th Oct 1980, under the new guise of Backseat Romeos. The name change was due to another band operating under the name of The Classics.
Over the Christmas period of 1980 John had two lengthy auditions with Magazine in London and was asked to go back for a full week with a view to joining the band, work commitments prevented this and the opportunity was lost, although Magazine split themselves only a few months later.
Sadly Mick left Backseat Romeos in early 1981 and his place was taken by Trev Fearnley, John's old drummer from Seagull days in the early 70's. This led to a rockier sound but whilst this line up was potentially the strongest the band had, things were getting tired and by late 1981 we decided to split. [SOURCE: BORED TEENAGERS]
Formed by Pete McShane (guitar, vocals), Graham "Bandy" Cartwright (bass, vocals) and Mike Briggs (drums, vocals), The Smith were from Taunton, United Kingdom. Their only record, the 7" single "Here Comes My Baby" (a typical pieced of mod pop, and a spirited rendition of the Cat Stevens classic) was produced by Graham Sclater, an accomplished songwriter and musician, that has been featured in a number of arts and musical programmes and has performed and recorded with artists including Jimi Hendrix, Fats Domino, Ritchie Blackmore, James Taylor, Elton John and numerous name musicians.
The Questions formed in the summer of 1977 at St. Augustine's High School in Edinburgh, and performed their first gig in December of that year at St. Margaret's Church Hall in Davidson's Mains, a suburb of Edinburgh. The following year, they sent a demo tape of rehearsals to Bruce Findlay of Bruce's Record Shop, which led to signing a recording contract with Zoom Records in Edinburgh in 1978.
The band's first single was "Some Other Guy" backed with "Rock & Roll Ain't Dead" (August 1978). They were crowned Young Band of the Year by Southern Television on Saturday Banana in December 1978. "I Can't Get Over You" b/w "Answers" followed in January 1979. The band subsequently left school in June 1980 and came to the attention of Paul Weller, with "Get Away From it All", a track that was never officially released.
The band supported The Jam at the Edinburgh Playhouse Theatre on the first of many occasions in October 1980, and signed to Weller's fledgling Respond Records in 1981. The Questions contributed three songs to Respond's 'Love the Reason' album -"Work and Play", "Building on a Strong Foundation" and "Give It Up Girl". They also contributed to the track "Mama Never Told Me" with Tracie Young as Tracie & The Questions. Many tours, TV appearances and singles followed, including "Work and Play", "Tear Soup" and "Price You Pay".
In 1983, band members Paul Barry and John Robinson penned the Top 10 hit "The House That Jack Built" for fellow Respond Records label mate Tracie Young. They would go on to write three additional songs -"I Can't Hold on Till Summer", "Moving Together" and "What Did I Hear You Say"- for Young's debut LP, 'Far From the Hurting Kind'. In 1984, 'Belief', the band's only full-length album, was finally released. "Tuesday Sunshine" and "A Month of Sundays" were released as singles. The album did not sell well, and the band played its final concert on 30 November 1984, at the 100 Club in Oxford Street, London. After a twelve-year wait, 'Belief' was issued on CD by the Japanese label Trattoria Records. The re-issue included the album's original eleven songs, plus eight previously unreleased tracks. [SOURCE: WIKIPEDIA]
In 1977 singer songwriter Ronnie Mayor teams up with lead guitarist John Hole to form the punk band Tours. With the addition of Steve Jeff (bass) and Mark Spiers on drums they set about creating their own sound, establishing their own venue at the Brewers Arms Poole and recording their early demos in Arnys Shack. In 1979, after 1 1/2 years in the band John Hole leaves and the replacement guitarist Richard Smith Mazda joins. 6 months later it was all over, however the band managed to record at Misty Studio, tour the UK and release one of John Peel's all time favourite records 'Language School' b/w 'Foreign Girls', recorded at Spaceward Studios in Cambridgeshire which Peel plays 50 nights in a row. They signed an eye watering £225,000 six-album deal for Virgin Records and songwriters Ronnie Mayor and Richard Mazda are proclaimed “the punk Lennon-McCartney”.
In 1980, after the Tours split, Ronnie and John re-grouped to form Power Pop band Da Biz with Ian Sandy (bass) and Nick Buckle (drums). They recorded at Rockfield Studios and released a single on Ronnie's own label Small Operations produced by Pat Moran, 'On the Beach' b/w 'This Is No Audition'. Tiring of the 'buzz saw ' guitar sound Ronnie and Ian threw the doors of the rehearsal room open and expanded the band into Biz Internationale with Ian Sandy (bass), Nick Buckle (drums), Paul Beavis (percussion), Bob Harder (keyboards). They became one of the best local live bands, recording at Misty Studios and signing to Warner Bros lead to the release of the single 'Stay True b/w Just A Thought Of A Love Affair'.
All four tracks from Tours and Da Biz re-surface on 'The Apprentices Dance' compilation album of Dorset based bands including in addition Contacts, Surfin Dave, Paul Chambers (former singer of 7even), Hollows and Cava Cava. Financed and compiled by Ronnie under the name Small Operations the album was distributed in America in 1981 by New Jersey based Sounds Interesting Records. In 1981 Ronnie Mayor releases solo pop anthem 'Can't Wait Till The Summer Comes' b/w 'Holiday Theme' on Do It Records. Recorded at Rockfield Studios and produced by Pat Moran and John David, again receiving great air play. In 1983, having been sacked from Biz Internationale,Ronnie returns to the 24 track Misty Studio with various Biz band members and producer Mark Eden to record further unreleased 24 track masters including "Stranded" (co-written with Blue Rondo's Chris Sullivan) featuring stunning guitar from legendary local guitar hero Paul Stacey and a great brass arrangement from the Purbeck Horns before exiling himself to Australia to clean windows to supplement a career as a club DJ.
In 2004, after 20 years, Ronnie returns to UK to play a comeback gig backed by Peter Christie and Conrad Barr at the Blue Boar pub in Poole. In 2018 Ronnie Mayor and John Hole (in response from an approach from Mark, Steve and Richard) reform Tours for a one-off gig at the King Charles pub in Poole supported by Surfin' Dave and Pete Christie. [SOURCE: MISTY STUDIO ONLINE]
The Symptoms (aka The Original Symptoms) were from Springfield, Missouri and evolved into The Morells, The Skeletons and aside from their own career, have recorded and played with the likes of Dave Alvin, Syd Straw, Eric Ambel, Bo Diddley and Jonathan Richman. Members
Ron Gremp (drums), Maralie Whitney (keyboards, vocals), Donnie Thompson (guitar, vocals), Jim Wunderle (lead vocals) and Lou Whitney (bass, vocals).
Wunderle was known not only known as a dynamic singer and the “consummate front man” for a long series of bands, as his longtime friend Dale McCoy dubbed him, but also for the thick network of loyal friendships he sustained throughout his life.
He began his career at Parkview High School (class of 1971) with Bubble, a band he started in 1969 with McCoy, Jimmy Frink, David Evans and David March.
Around 1980, he formed The Dog People, perhaps Wunderle’s signature band, with Terry Wilson, Michael “Supe” Granda and Tom Whitlock. The band stopped playing regularly in 1983 when Wilson and Whitlock departed to pursue music careers in Los Angeles but had been reuniting faithfully at least once a year.
Wunderle was instrumental in forming the annual Imagine Concert and serving as MC for the event commemorating John Lennon and raising money for Springfield nonprofits.
In addition to performing, Wunderle did production work for studio owner Lou Whitney and for many years at Associated Video Producers. He also wrote film reviews for the Springfield Business Journal.
Lou Whitney was also producer and owner of The Studio, Springfield.
Died in October 07, 2014, kidney cancer, he was 72.
After his death in 2014 Whitney's longtime assistant Eric Schuchmann purchased The Studio, Springfield and changed its location to the Southwest side of Springfield, Missouri.
Maralie Whitney was born October 22, 1930 and died August 30, 2013.
She started piano lessons at the age of 6 and classical trained for 12 years. After marrying she formed the band, Maralie and the Marathons. After moving to Ohio, she played for a dinner club and raised her 3 daughters. In the 1960's, She moved to Springfield and played at the Kentwood Arms and various sing along bars. In 1972, She was selling real estate and met Lou Whitney who she later married and they formed various bands playing current and oldies along with original works!
They started as The Symptoms and later became The Morells which was formed in 1978.
Admittedly the waves aren't too good in the Midwest, but that didn't prevent Lawrence Lange from preparing an anthem, just in case this ever changes. The 7" single "Surfin' Kansas City" (1985, Titan!), their only record, includes many surf homages for a clever pastiche that avoids novelty status by virtue of a preformance that doesn't take itself too seriously. The group inlcuded Lawrence Lange (naturally, guitars, vocal, background vocals), Hy Mayer (drums), Dean Vallis (bass), Dianne O'Neill (piano) and Mark Smith (background vocals). This was recorded at Playwright Presentations Inc, NYC.
Starting out like a Yardbirds "Train Kept A Rollin", New York's The Rousers has a great shout along chorus and wailing hamornica. Gotta love the trippy space noises as well. Featuring Jerry O'Connell (drums), Tom Milmore (lead guitar), Jeff Buckland (vocals), Bill Dickon (rhythm guitar), and John Hannah (bass). Perhaps it's most interesting point is that their only single "Party Boy" (1981), was produced by Wayne Kramer of the MC5.
Not too much there on Royal Oak, Michigan The Service, so for now all we can really say is that the group featured Lou Zasuwa (vocals), Gary Zasuwa (guitar, vocals), Pat Conaton (bass, vocals), and Kyle Kleckner (drums). "Time Release" (Tremor, 1980) was written by the band and was their only release.
What it is with Los Angeles and powerpop trios? They're all great! The Question, Chardon Square and, of course, The Key, ruled the LA mod scene alongside ska faves The Untouchables, for much of the mid 80's, packing them in at locations like Fender's Ballroom in Long Beach. "Evolution" is from the band's debut EP, 'Trashin' Power Pop' (Smash-A!, 1986) -has an EP title ever summed up a band's sound so succintly? The La Verne (an LA suburb), CA group featured Shane Ries (guitar / lead vocals), Henry Chavez (bass / vocals), and David White (drums, also of The Question and later The Untouchables, he was replaced in The Key by Mike Young). They later released an album on London mod label Unicorn Records and also appeared on their 'Unicorn Two ... Modern Times' compilation. Perhaps more importantly the band appeared on Anthony "Squire" Meynell's Hi Lo Records compilation 'American Heart And Soul' and were included on the label CD retrospective 'It's A Mod Mod World'. Shane now runs a hip hop label, Base 9.
