Skullflower is a British noise rock band formed in 1987 who served as the flagship band of the Broken Flag collective, a group of experimental noise rock bands from the U.K. (most notably Ramleh, Total, and Sunroof!) that often swapped ideas and personnel. Led by guitarist Matthew Bower, the prolific Skullflower boasted the largest cult following of the bunch, with a sound based on sludgy, stomping, doom-garage riffs overlaid with hallucinatory feedback, fuzzed-out guitar noise, dark ambience, and monolithic drones derived from power electronics and throttling rhythms, all played at an ungodly volume. Their lyrical subject matter is obsessed with death, violence, misanthropy, and sexual deviancy. Always an improvisational outfit, their textured noise freakouts grew increasingly free-form over the course of their career, moving farther and farther away from even loose definitions of "rock." While recordings such as 1989's 'Form Destroyer' and 1995's 'Transformer' revealed a true post-punk approach to rock, later offerings such as 2008's 'Taste the Blood of the Deceiver' and 2010's 'Strange Keys to Untune Gods' Firmament' revealed an evolving sound that relied more on sonic deconstruction and spontaneous improvisation than formal process.
Skullflower was formed in London in 1987, growing out of guitarist Matthew Bower's previous band, Total (which subsequently turned into a solo side project). Skullflower's early core members were Bower, drummer Stuart Dennison (the only other constant besides Bower), and bassist/guitarist Stefan Jaworzyn. The lineup was fairly fluid, however, especially early on; other contributors included guitarist Gary Mundy (also the leader of Ramleh), bassist Alex Binnie, bassist/drummer Stephen Thrower (also of Coil), and auxiliary bassist/guitarist/drummer Anthony DiFranco (also known as JFK). Initially recording for the Broken Flag label, a community enterprise that also handled Ramleh and Total, Skullflower made their recorded debut with the 1988 EP 'Birthdeath' and followed it with the full-length 'Form Destroyer' in 1989. Like much of their subsequent output, both releases were pressed in extremely limited quantities. Material from both was included on 1990's 'Ruins', the group's first release on Jaworzyn's Shock label; several tracks appeared in remixed form.
The contentious mixing process for Skullflower's next release, 1990's 'Xaman', spelled the end of Jaworzyn's involvement in the group. Bower subsequently recruited Anthony DiFranco to take over full-time bass duties, and this trio recorded 1992's 'IIIrd Gatekeeper' for Godflesh guitarist Justin Broadrick's HeadDirt label; they also toured as Godflesh's opening act that fall. Two more albums followed in 1993: 'Last Shot at Heaven', on Noiseville, and 'Obsidian Shaking Codex', on RRR. By this time, DiFranco was decreasing his involvement in the group, and eventually left altogether to record as Ax; his place was filled by official second guitarist Russell Smith, formerly of Terminal Cheesecake.
Hereafter, Skullflower concentrated on free-form noise improv to a greater degree than ever before. Released by VHF in 1994, 'Carved Into Roses' featured guest vocals from Philip Best (also of Ramleh and Whitehouse), plus Casio squiggles from Simon Wickham-Smith. The year 1995 was prolific even for Skullflower: 'Argon' (issued on Freek) added horn players John Godbert and Tim Hodgkinson to the overall din, while 'Infinityland' (a second effort for HeadDirt) again welcomed Best and Wickham-Smith, and the live 'Adieu, All You Judges' (back on Broken Flag) captured a joint performance with Ramleh. Arriving in also 1995, 'Transformer' was released on the prominent garage-oriented indie label Sympathy for the Record Industry, and marked a quieter, more ambient direction for the band, complete with strings. It was followed later that year by the similar 'This Is Skullflower', which appeared on VHF and featured Godbert on piano, as well as third guitarist Richard Youngs. Following that release, Matthew Bower opted to concentrate on his other bands, the even more improvisational Sunroof! and Total, and retired the Skullflower name.
Bower and Dennison resurrected the group in 2003, recording 'Exquisite Fucking Boredom' for the tUMULt label along with guitarist Mark Burns and bassist Steve Martin; it was co-produced by Neil Campbell (Vibracathedral Orchestra, ex-Total) and Colin Potter (Nurse with Wound). 'Orange Canyon Mind' and 'Tribulation' appeared on Crucial Blast in 2005 and 2006, respectively; both were primarily recorded by Bower solo. From there, Skullflower became more prolific (as well as drone-based) than ever, with a barrage of releases on numerous labels, ranging from limited, self-released CD-Rs to ambitious box sets. The year 2008 alone saw releases on Utech ('Desire for a Holy War'), Not Not Fun ('Taste the Blood of the Deceiver' LP and a split 7" with Axolotl), and Turgid Animal ('Pure Imperial Reform' and the three-CD box 'Circulos Vitiosus Deus'). In 2009, Noiseville released 'Vile Veil', and 'Malediction' appeared on Second Layer Records; Posh Isolation released a Skullflower/Limepit split LP.
The year 2010 began with Neurot Recordings' release of Skullflower's double-CD 'Strange Keys to Untune Gods' Firmament'. The group made its debut on power electronics label Cold Spring with 2011's 'Fucked on a Pile of Corpses', which included input from Samantha Davies, George Proctor, and Lee Stokoe. Split albums with Mastery and Utarm appeared in 2013, while Shock/Dirter Promotions released 'Kino I-IV', a box set of material from the group's early years. Bower and Davies recorded the double-CD 'Draconis', which was released by Cold Spring in 2014. Skullflower then began releasing numerous digital recordings through their Bandcamp page in 2015. Aside from the limited CD-R 'Military Temples (For Coil)' and a collaborative cassette with Der Blutharsch, their first major physical release since 'Draconis' was 2017's 'The Spirals of Great Harm', another epic double CD on Cold Spring. Soon after, the Egyptian label Nashazphone released Skullflower's LP 'The Black Iron That Fell from the Sky, To Dwell Within (Bear It or Be It)'. [SOURCE: ALLMUSIC]