jueves, 17 de enero de 2019

Kevin O'Neill


Pioneering Welsh synthesist primarily active during the 1980s. Kevin O'Neill was one of the rare examples of a unique talent with a distinctive personal style. True, he did occasionally display his roots and influences in his music, but he never set out to copy or emulate anyone. So Kevin was not another Schulze or Tangerine Dream wannabe, and this was what made his music so invigorating and exciting. For this reason alone Kevin's music has remained fresh and vital. Kevin released a total on 9 albums over 9 years, starting in 1984 with 'Icon' -an album that was released with universal acclaim from the "electronica" community. A playful, yet dark edged, music full of unique ideas, it established his style which he developed on and came up with further new angles from, never quite repeating himself throughout his career. Keys to the development of his sound included the OSCar synthesizer, manufactured by the Oxford Synthesiser Company from 1983, an instrument that was ahead of its time in many ways and one of the few mono-synths of its time to have MIDI. Kevin was also not a musician, but a dabbler. He had some training in electronic studio techniques, with help from Steve Howell at his Cardiff Hollow Sun Studio. But that was it, everything else was down his own exploration and experimentation. And throughout those 9 years Kevin never stopped experimenting. Kevin also played at 2 of the annual Electronica festivals, in Stafford and in London, and also at some other special events organised by the Network 23 collective of electronic musicians. It seems that he only gave up on music when cassette sales in the 1990s dwindled, and he since turned his attention to other things, as an author and computer artist. [SOURCE: ULTIMA THULE

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