Ramleh

Ramleh are a British experimental music group formed by musician Gary Mundy in 1982. The current line-up of the band includes Gary Mundy, Anthony di Franco and Stuart Dennison. Originally a part of the English power electronics and industrial music scene in early 1980s, which included artists such as Whitehouse and Sutcliffe Jügend, Ramleh experimented with a more traditional rock format in their later releases. 

After releasing 'Onslaught' cassette, Mundy was joined by Philip Best, a 14-year-old musician who was known for his involvement in Iphar Clinic and Whitehouse. The band's '21/5/62/82' cassette was released in 1982 and was titled as a reference to the execution of Nazi war criminal Adolf Eichmann. Ramleh recorded more cassette releases between 1982 and 1983: 'Onslaught', 'Live to Theresienstadt', 'Live New Force', 'Live Phenol', 'Live McCarthy', 'Live at Morden Tower 12/10/1983' and 'Live Prossneck 1/10/83'. 'A Return to Slavery' and 'The Hand of Glory' EP were released in vinyl in 1983. Although Ramleh disbanded in 1984, Mundy's own record label Broken Flag continued releasing Ramleh material.

 

After releasing 'Hole in the Heart' cassette and a few records under the Ramleh alias in 1987, Mundy reformed the band in 1989 with Best. The reunion was followed by 'Grudge for Life' LP in 1989. Inspired by Mundy's experimental rock band Skullflower, the band began to incorporate rock influences in their records, starting with 'Blowhole' in 1991. After releasing 'Caught From Behind', a split with Italian artist Mauro Teho Teardo, and 'Crystal Revenge', the band added Skullflower members Anthony di Franco on bass and Stuart Dennison on drums to its line-up. The new line-up released 'Homeless' in 1994. The band continued releasing rock records in late 1990s, which included 'Adieu, All You Judges' and 'Be Careful What You Wish For' in 1995, and 'Works III' in 1996. After releasing 'Boeing', Mundy disbanded Ramleh for the second time. In 2009, Mundy and di Franco reformed Ramleh with drummer Martyn Watts. In that year, the band also returned to its original power electronics aesthetics with 'Valediction' LP. In 2015, Stuart Dennison returned to drum with Ramleh and played on the US west coast tour in January 2016.

Early recordings of Ramleh were labeled as power electronics and noise music. Nevertheless, in 1990s the band started experiment with more traditional rock music structures. The band's more traditional works were commonly labeled as "noise rock." Frances Morgan of The Quietus described the band music during this era as "a brutal, abject strand of dark psychedelic rock", while albums such as 'Works III' and 'Boeing' were labeled as "heavy psych-noise rock". Skullflower and Butthole Surfers were influences on these works. Ramleh's first album after 2009 reunion expressed a revival of the band's original power electronics genre and was compared to the works of Japanese noise musician Merzbow, while the band retained its rock music instrumentation during this era, performing on both genres.

In its early days, Ramleh flirted with Nazi and fascist imagery for its shock value, like other bands in the industrial music scene. Nevertheless, Mundy and Best since discontinued this practice and disavowed it, denying any affiliations with hate groups. [SOURCE: WIKIPEDIA]