Marc Almond

After the split of his synth pop duo Soft Cell in 1984, Marc Almond pursued a solo career that has allowed his multi-dimensional theatrical and musical personas a freedom of expression and equanimity of exposure that his former band could not provide. Almond's strength lies not in the quality of his voice, which tends to waver around notes instead of hitting them, but in the massive force of his chameleonlike persona. He so completely inhabits songs that he becomes inseparable from them. As a solo performer, Almond has often worked in series. Between 1982 and 1987, he issued three albums with The Willing Sinners (including 'Stories of Johnny') that portrayed him as an aesthetic descendant of the Weimar Republic cabaret singers. 1988's 'The Stars We Are' marked a brief return to sophisticated dance and theatrical pop. The following year, he and Gene Pitney delivered a duet single of the latter's 1967 hit "Something's Gotten Hold of My Heart." During most of the 1990s and early 21st century, Almond was a torch and musical theater singer. 1993's provocatively titled 'Absinthe (The French Album)' reveled in his obsessions with chanson and romantic excess. Between 1995 and 2000, he offered a new vision of wonderfully sleazy, emotionally (and often electronically) wrought pop on albums such as 'Fantastic Star' and 'Open All Night'. 2003's 'Heart on Snow', recorded in Moscow, was a collection of translated Russian songs. 2009's 'Orpheus in Exile: Songs of Vadim Kozin' paid tribute to the persecuted Russian singer and songwriter. 2014's 'The Tyburn Tree' with John Harle was subtitled "Dark London," while 'The Dancing Marquis' featured pop collaborations with Jarvis Cocker and Jools Holland. In 2016, the massive ten-disc career-spanning retrospective 'Trials of Eyeliner: The Anthology 1979-2016' appeared. 

 
Before his solo career, Almond formed Marc & the Mambas, a loose congregation that featured Matt Johnson of The The and Annie Hogan. 'Untitled' (1982), the group's first album, featured covers of Lou Reed, Syd Barrett, and Jacques Brel. Throughout his career, Almond would cover the songs of Brel, which he had learned from the records of Scott Walker. Like Walker, Almond used Brel's heavily orchestrated compositions and social ruminations as a starting point, both musically and lyrically -Almond added a self-conscious element of camp with his Euro-disco and occasionally sleazy lyrics. 'Torment & Toreros' (1983), Marc & the Mambas' second album, explored this path in more detail than 'Untitled', only to an orchestral background. After its release, the group broke up. 

 
Almond formed the backing group The Willing Sinners in 1984, releasing 'Vermin in Ermine' in 1984. He began to hit his stride with this album, which fulfilled most of his campy cabaret fantasies. 'Stories of Johnny', issued the following year, was more cohesive, spawning a British hit with the title song. Even though he maintained a cult following in England and various parts of Europe, his records were not being released in the U.S. 

 

 

In 1987, Almond issued 'Mother Fist and Her Five Daughters', his first proper solo album and his bleakest work to date; a compilation, 'Singles: 1984-1987', appeared the same year. 'Stars We Are', released the following year, was a brighter, more welcoming album that revived his commercial career. In addition to a duet with Nico on "Your Kisses Burn," Almond performed a duet with Gene Pitney on Pitney's own "Something's Gotten Hold of My Heart," which became a number one single. 'Stars We Are' also became Almond's first album released in the U.S. since his records with Soft Cell. 

 
Almond followed the success of 'Stars We Are' in 1990 with the pet project 'Jacques', a collection of Brel songs. That same year, he issued 'Enchanted', which was more successful than 'Jacques', yet didn't reach the heights of 'Stars We Are'. In 1991, he released 'The Tenement Symphony', and in 1993, a live album entitled 'Twelve Years of Tears', followed by a pair of records on EMI. Almond then switched over to New York independent Thirsty Ear, which reissued some of his material, and then again to Instinct with his 1999 release 'Open All Night'. Throughout the early 2000s, Almond stayed busy releasing archived live performances on both CD and DVD as well as issuing the studio efforts 'Stranger Things' (2001) and 'Heart on Snow' (2003) for yet another label, Psychobaby. Almond continued to write during this period, publishing a travel book called "In Search of the Pleasure Palace: Disreputable Travels" in 2004. 

 
Things took a turn for the worse soon after the book came out; Almond was involved in a serious motorcycle accident in October of that year and spent the majority of the following year recovering from the incident. He resumed recording in 2006 and released an album of cover songs, 'Stardom Road', the following summer. His 2009 effort, 'Orpheus in Exile', featured the songs of Vadim Kozin, a Russian songwriter and performer active in the 1930s and '40s. A year later, the single "Nijinsky Heart" preceded the release of 'Varieté', Almond's first studio album of his own material in over ten years.

 
In 2011, Almond worked with composer Michael Cashmore of Current 93 on 'Feasting with Panthers', an album of musical interpretations of the singer's favorite homoerotic poems. Late in 2012, Almond began working with vanguard composer and saxophonist John Harle. He performed on the latter's 'Art Music', issued in 2013, singing three songs based on William Blake's poetry. In 2014, the pair collaborated in full on 'The Tyburn Tree: Dark London', an album of contemporary songs about the darkest sides of London's history. 

 

 

When Almond released 'Varieté' in 2010, he claimed it would be his last album of original material -that there were many songs by others he wanted to sing. In 2014, producer and songwriter Chris Braide succeeded in changing his mind. The pair wrote and recorded ten songs together, pairing them with two instrumentals by Braide. The relationship resulted in 'The Velvet Trail', which was issued by Cherry Red in early 2015. The following year, Almond resumed touring in earnest and curated the release of a career-spanning ten-disc box set titled 'Trials of Eyeliner: The Anthology 1979-2016', which featured not only tracks from every album but a clutch of one-offs and plenty of rarities. 

 
In July 2017, he was presented with an honorary doctorate in philosophy from Lancashire's Edge Hill University and delivered the year's graduation address. In August, he performed at the I Feel Love concert, a special event held to celebrate the 50th anniversary of the decriminalization of homosexuality in England in 1967. The concert featured live performances of groundbreaking gay songs and readings of works by Oscar Wilde and Alan Hollinghurst, among others. Almond joined a performance lineup that included Will Young, Alison Moyet, and Tom Robinson. The same month, a pre-release single, a cover of The Young Rascals' "How Can I Be Sure," preceded his full-length 'Shadows and Reflections' in September on BMG. It included originals composed by Almond and John Harle, as well as cinematically orchestrated covers by The Yardbirds, Burt Bacharach, The Herd, The Action, Bobby Darin, Julie Driscoll, Billy Fury, and Johnny Mandel. After several years of touring on-and-off with rhythm & blues pianist Jools Holland, Almond finally teamed up with him to record an album, 'A Lovely Life to Live', in 2018. 

 
2020 saw Almond release 'Chaos and a Dancing Star', again in collaboration with producer, songwriter, and pianist Braide. The duo started writing for the album in 2017 and had originally planned a prog rock album. During the process, the songs and direction evolved into stridently progressive pop melodies. The title informs many of the album's themes, while impermanence also asserts itself as a recurring topic. [SOURCE: ALLMUSIC]