L. Voag

L. Voag is the Art-Rock / Experimental / Post-Punk solo project of Jim Welton, bassist of The Homosexuals. Under this moniker he only issued the LP 'The Way Out', recommended for fans of Desperate Bicycles, This Heat and Mark Perry. 

 

The start of recording 'The Way Out' crossed over with the last days of his involvement with The Homosexuals. The gravity around which 'The Way Out' took shape issued from a decidedly asinine idea: what if we lived in a world where the music of the avant-gardists (Stockhausen, Oliveros, Henry) provided the best-selling, chart-topping pabulum of the day, while pop music was an obscure, nigh impenetrable, elitist niche product? L. Voag is a fiction used to describe a character from the pop milieu who, desperate for a hit, attempts to knock out a crossover album combining both worlds. Not surprisingly, he fails miserably. 

 

'The Way Out' was recorded at Surrey Sound Studios, founded in 1976 by brothers Nigel and Chris Grey. While Nigel concentrated on music biz staples The Police and others, Chris -a visionary with at least one if not both feet planted in the future- opened up the studio to all manner of experiment, actively inviting mavericks and crazies to participate. Maniacs like The Homosexuals, Milk From Cheltenham, and L. Voag were granted access to gold standard, 24-track recording equipment, so long as it was during so-called dead time between 1:00 and 7:00 A.M. [SOURCE: SUPERIOR VIADUCT]